Bridge Course: Aristotle's Poetics

This blog is written as a task assigned by Dr. Dilip Barad Sir

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1.To what extent do you agree with Plato's objection to the freedom of expression and artistic liberty enjoyed by creative writers? Identify texts (novels, plays, poems, movies, TV soaps, etc.) that can be justifiably objected to and banned based on Plato's objections.

Answer :

Plato’s Objection to Freedom of Expression and Artistic Liberty:

Plato, in his seminal work The Republic, argued that artistic expression should be censored because it can negatively influence people’s emotions and behavior. He believed that art should promote moral and virtuous behavior, and anything that doesn’t align with these values should be restricted. Plato was particularly concerned about the impact of poetry and drama on the youth, fearing that they might imitate the immoral actions depicted in these works.

Extent of Agreement with Plato’s Objections

While Plato’s concerns about the moral and emotional impact of art are valid to some extent, modern perspectives on freedom of expression and artistic liberty often differ significantly. Today, many argue that art should challenge societal norms and provoke thought, even if it depicts controversial or uncomfortable subjects. However, there is also a recognition of the need for responsible portrayal, especially when it comes to sensitive topics.

Contemporary Bollywood Examples

Based on Plato’s objections, here are some Bollywood movies that could be justifiably objected to and potentially banned:

Moral and Ethical Concerns

Kabir Singh (2019): Criticized for its portrayal of toxic masculinity and abusive behavior, which could be seen as promoting immoral behavior. The film’s protagonist engages in violent and controlling behavior, which has sparked debates about its impact on societal norms.

Emotional Influence

Gangs of Wasseypur (2012): Contains graphic violence and intense scenes that could stir up harmful emotions and desensitize viewers to violence. The film’s depiction of gang wars and brutality can have a strong emotional impact on the audience.

Imitation and Deception

Baahubali: The Beginning (2015): This film creates an exaggerated and unrealistic portrayal of historical and mythological elements, which could mislead viewers about reality. Its grandiose settings and larger-than-life characters contribute to a fantastical narrative.

Dhoom 3 (2013): Features elaborate heists and stunts that defy the laws of physics, creating a deceptive and unrealistic portrayal of action and crime. The film’s depiction of technology and human capabilities can mislead viewers about what is possible in real life.

Educational Impact

Student of the Year (2012): Portrays a glamorous and unrealistic view of high school life, which might not be suitable for younger audiences and could negatively influence their expectations and values. The film’s focus on luxury and competition can create unrealistic aspirations.

Philosophical Dominance

PK (2014): Questions religious beliefs and practices, which could be seen as challenging societal norms and stirring up emotions. The film’s satirical take on religion and its practices can provoke strong reactions from different sections of society.

OMG: Oh My God! (2012): This satirical comedy-drama critiques blind faith and the commercialization of religion. The protagonist, Kanji Lalji Mehta, sues God after his shop is destroyed by an earthquake, leading to a courtroom drama that questions religious practices and the role of religious leaders12.

Historical Movies

Padmaavat (2018): Controversial for its portrayal of historical events and characters, which could be seen as distorting historical facts. The film faced protests and legal challenges due to its depiction of Queen Padmavati and historical events.

Jodhaa Akbar (2008): Faced objections for historical inaccuracies. The film’s portrayal of the relationship between Emperor Akbar and Jodhaa Bai was criticized for not aligning with historical records.

Bajirao Mastani (2015): Criticized for distorting historical facts. The film’s depiction of the Maratha Peshwa Bajirao and his relationship with Mastani sparked debates about its historical accuracy.

Panipat (2019): Received backlash for misrepresenting history. The film’s portrayal of the Third Battle of Panipat and its characters led to objections from certain communities.

2. Referring to the literary texts you studied during your B.A. program, write a brief note on the texts that followed the Aristotelian literary tradition (i.e., his concepts of tragedy, catharsis, tragic hero with hamartia, etc.).

Answer:

Texts Following the Aristotelian Literary Tradition:

King Lear by William Shakespeare

Reason: Follows the Aristotelian concept of tragedy with a tragic hero (King Lear) who has a hamartia (his pride and blindness to the truth). The play evokes catharsis in the audience through the intense emotional journey and downfall of Lear.

Julius Caesar by William Shakespeare

Reason: Adheres to Aristotelian principles with a tragic hero (Brutus) whose hamartia (his idealism and naivety) leads to his downfall. The plot follows a clear chain of cause and effect, and the play aims to evoke catharsis.

Death of a Salesman by Arthur Miller

Reason: Follows the Aristotelian tradition with Willy Loman as the tragic hero whose hamartia (his delusions and misplaced values) leads to his downfall. The play evokes catharsis through the emotional impact of Willy’s struggles and ultimate demise.

3.Referring to the literary texts you studied during your B.A. program, write a brief note on the texts that did not follow the Aristotelian literary tradition (i.e., his concepts of tragedy, catharsis, tragic hero with hamartia, etc.).

Answer:

Texts Not Following the Aristotelian Literary Tradition:

Pygmalion by George Bernard Shaw

Reason: Does not follow the traditional structure of a tragedy. It is more of a social critique and comedy, focusing on themes of transformation and social class rather than evoking catharsis through a tragic hero’s downfall.

Beloved by Toni Morrison

Reason: Employs a non-linear narrative and focuses on themes of memory, trauma, and identity rather than a structured tragic plot with a clear tragic hero.

Animal Farm by George Orwell

Reason: An allegory and satire rather than a traditional tragedy. It critiques political systems and human nature without following the Aristotelian structure of a tragic hero and catharsis.

Heart of Darkness by Joseph Conrad

Reason: A complex exploration of colonialism and human nature, with a fragmented narrative and ambiguous moral conclusions.

Lord of the Flies by William Golding

Reason: A dystopian allegory exploring inherent evil in human nature and societal breakdown without a clear tragic hero or structured plot leading to catharsis.

The God of Small Things by Arundhati Roy

Reason: Employs a non-linear narrative and focuses on themes of forbidden love, social discrimination, and family dynamics. Does not follow the Aristotelian structure of a tragedy.

Naga-Mandala by Girish Karnad

Reason: Blends folklore and contemporary issues, focusing on themes of gender and identity. Does not adhere to the Aristotelian principles of tragedy and catharsis.

4.Have you studied any tragedies during your B.A. program? Who was/were the tragic protagonist(s) in those tragedies? What was their 'hamartia'?

Answer:

Tragic Protagonists and Their Hamartia:

King Lear by William Shakespeare

Tragic Protagonist: King Lear

Hamartia: His pride and inability to see the true nature of his daughters.

Julius Caesar by William Shakespeare

Tragic Protagonist: Brutus

Hamartia: His idealism and naivety.

Death of a Salesman by Arthur Miller

Tragic Protagonist: Willy Loman

Hamartia: His delusions and misplaced values.

5. Did the plots of those tragedies follow the necessary rules and regulations proposed by Aristotle? (e.g., chain of cause and effect, principle of probability and necessity, harmonious arrangement of incidents, complete, certain magnitude, unity of action, etc.)

Answer:

Aristotelian Rules in Tragedies:

King Lear and Julius Caesar by William Shakespeare

Reason: Both plays follow the necessary rules and regulations proposed by Aristotle, including a chain of cause and effect, the principle of probability and necessity, and unity of action.

Death of a Salesman by Arthur Miller

Reason: Adheres to many Aristotelian principles, including a structured plot and the evocation of catharsis through the protagonist’s downfall.