Monday, February 2, 2026

National Workshop on Academic Writing- 2026 at Department of English,MKBU

This blog documents my participation in the National Workshop on Academic Writing organised by the Department of English, Maharaja Krishnakumarsinhji Bhavnagar University (MKBU), under the Promotion of Higher Education Knowledge Consortium (KCG), Government of Gujarat. Spread across five intensive days, the workshop brought together distinguished scholars to explore academic writing, ethical use of artificial intelligence, research methodology, publication practices, UGC NET preparation, and academic career planning. Through plenary lectures, interactive sessions, and practical demonstrations, the programme offered deep insights into the construction, communication, and credibility of academic knowledge. The sessions not only strengthened my understanding of scholarly writing and research ethics but also sharpened my critical engagement with contemporary academic challenges. Overall, the workshop proved to be a rigorous and intellectually enriching experience that significantly contributed to my academic growth.






Inaugural Ceremony 






The Department of English, Maharaja Krishnakumarsinhji Bhavnagar University (MKBU) organized a National Workshop on Academic Writing under the Promotion of Higher Education Knowledge Consortium (KCG), Government of Gujarat. The inaugural ceremony was attended by university authorities, invited experts, teachers, research scholars, and students, and was anchored by Prakruti Bhatt, Research Scholar and Visiting Faculty, Department of English.

The programme commenced with a formal welcome, followed by the University Song and Prayer. As a mark of respect and as a symbol of the enduring value of knowledge, the dignitaries were welcomed on the dais through the ceremonial presentation of books.

The dignitaries present included the Honourable Vice-Chancellor, Prof. (Dr.) B. B. Ramanuj; In-Charge Registrar, Dr. Bhavesh Jani; Dean of the Faculty of Arts, Dr. Kishor Joshi; and the invited resource persons Prof. (Dr.) Paresh Joshi and Dr. Kalyan Chattopaadhyaay.

The welcome address was delivered by Prof. (Dr.) Dilip Barad, who explained the concept and objectives of the workshop. He highlighted the contemporary academic challenge of balancing natural intelligence and artificial intelligence, and outlined the structure of the workshop, which focused on academic writing skills, responsible use of AI, research aptitude, NET/JRF guidance, and the development of a digital resource hub for English studies.

The first plenary address was delivered by Prof. (Dr.) Paresh Joshi, who discussed the evolution of writing across different historical phases and emphasised the importance of preserving human creativity and critical thinking in the age of artificial and generative intelligence. He underlined the central role of academic writing for language and literature professionals.

The second plenary address was delivered by Dr. Kalyan Chattopaadhyaay, who traced the tradition of academic writing in India from ancient knowledge systems to contemporary educational frameworks such as NEP 2020 and NCF 2023. He emphasised multilingualism, rooted knowledge systems, and inclusive academic practices.

The Dean of the Faculty of Arts, Dr. Kishor Joshi, shared statistical insights related to research output, publication quality, and research funding in India. He stressed the responsibility of teachers and researchers in strengthening academic writing standards and enhancing the overall quality of research.

The inaugural ceremony concluded with the presentation of tokens of appreciation to the invited speakers by the Honourable Vice-Chancellor, followed by a vote of thanks to all dignitaries, participants, organisers, and student volunteers.

Day One - First Session

Session Title: Academic Writing and Prompt Engineering

Date: 27 January 2026

Resource Person: Prof. (Dr.) Paresh Joshi, Professor, Department of English, Veer Narmad South Gujarat University, Surat







The session focused on Academic Writing and Prompt Engineering. The session began with a formal welcome and introduction of the resource person. Prof. Joshi has more than two decades of teaching and research experience and has contributed extensively to English Language Teaching, Applied Linguistics, Phonetics, and Academic Writing. His academic and professional achievements were briefly highlighted before inviting him to begin the session.

In the first part of the session, Prof. Joshi explained the nature of academic writing. He clearly differentiated between creative/literary writing and academic writing using examples such as an encyclopaedia entry on London and William Wordsworth’s poem. He explained that academic writing belongs to the literature of knowledge and must be objective, factual, logical, and evidence-based, unlike literary writing, which is emotional and imaginative.

He described academic writing as a conversation, where a researcher first listens through a review of literature, then reports existing views, responds through analysis, and finally contributes original ideas supported by evidence. He also explained the process of academic writing, including planning, drafting, peer editing, revising, proofreading, submission, and feedback.

Through simple examples, Prof. Joshi highlighted the key principles of academic writing, such as:

  • formal tone instead of informal language,

  • clarity instead of vague expressions,

  • conciseness instead of wordiness,

  • precision instead of generalization,

  • logical flow of ideas,

  • careful use of claims, and

  • strong, clear thesis statements.

In the second part of the session, Prof. Joshi introduced Prompt Engineering as an emerging component of academic writing in the age of Artificial Intelligence. He explained that prompt engineering means writing clear and specific instructions to AI tools in order to obtain accurate and useful outputs. He discussed different prompting techniques, such as zero-shot, one-shot, few-shot, chain-of-thought, role-based, and audience-specific prompting, using simple and accessible examples.

He also emphasized the ethical use of AI, warning against overdependence on AI tools. He stressed the importance of fact-checking AI-generated content, as AI may produce incorrect or misleading information. He encouraged students to use AI for support tasks such as grammar checking, editing, and idea generation, but not as a replacement for human thinking and originality.

The session concluded with student feedback, where participants appreciated the clarity, illustrative examples, and practical approach of the session. The participants highlighted how the session helped them gain a clear understanding of academic writing practices and the responsible and ethical use of AI tools in academic work.


Day One – Second Session | Day Two – First Session

Session Title: Academic Writing in English for Advanced Learners – I & II

Resource Person: Dr. Kalyan Chattopadhyay, Author, ELT Specialist, and UGC Master Trainer from Bankim Sardar College, University of Calcutta, Kolkata.

Dates: 27 January 2026 – 28 January 2026














The two sessions conducted by Dr. Kalyan Chattopadhyay were intellectually rich and methodologically focused, centring on how academic knowledge is constructed, presented, and claimed in research writing. Together, the sessions offered a comprehensive understanding of academic writing as both a formal and rhetorical practice.

At the outset, the sessions outlined four core features of academic writing—formality, objectivity, clarity, and precision—and demonstrated how these features operate in research papers through tone, vocabulary choice, sentence structure, citation practices, and impersonal style. Emphasis was placed on the importance of framing clear research problems, hypotheses, and research questions, and on interpreting data rather than relying on personal opinion. Participants were advised to avoid biased or overly conclusive expressions such as “I establish” and instead employ hedging strategies where certainty is limited.

A detailed explanation of the structure of research articles followed, highlighting the crucial distinction between findings and interpretation. Dr. Chattopadhyay stressed the need for evidence-based argumentation, methodological rigour, and triangulation, along with explicit reporting of participants, instruments, and procedures. Using examples from participants’ thesis ideas and a sample research paper, he emphasised disciplined citation practice, clear signposting, and coherent organisation of arguments.

A significant portion of the sessions focused on authorial representation in academic writing. Drawing on Ken Hyland’s work on authorial identity, Dr. Chattopadhyay explained that academic writing is not entirely impersonal and that researchers must consciously decide how visible they wish to be in their texts. He demonstrated how writers establish research purposes, describe methods, and present findings, and encouraged participants to critically examine the use of first-person pronouns such as I and we. Strategic use of authorial voice was presented as a means of enhancing clarity, responsibility, and scholarly authority without compromising academic formality.

Participants were further guided to revise their own writing to make authorial roles clearer, particularly in abstracts, results, and conclusions. Passive constructions such as “it was found that” were compared with more direct expressions like “I argue” or “we interpret”, prompting reflection on what is gained or lost through writer visibility. Discipline-specific variations in authorial presence were also discussed, acknowledging differing conventions across academic fields.

The sessions devoted considerable attention to hedging in academic writing, underscoring its necessity given that research claims are rarely absolute. Through examples from published research, Dr. Chattopadhyay illustrated how hedging expressions such as may, suggests, appears to, and likely allow writers to present claims cautiously, respect alternative viewpoints, and maintain scholarly balance. Participants learned how hedging practices vary across different sections of a research paper and how both excessive and insufficient hedging can weaken arguments.

Another key focus was academic attribution and citation practices. Citation was presented not merely as a technical requirement but as a rhetorical tool for positioning one’s work within existing scholarship. Dr. Chattopadhyay explained the distinction between integral and non-integral citations, the function of reporting verbs, and the importance of synthesising sources rather than listing them. Special emphasis was placed on mapping the literature review to identify debates, gaps, and scholarly alignments within a discipline.

In the concluding part of the sessions, participants were guided on writing effective conclusions that summarise findings, highlight the significance of the research, and responsibly claim ownership of interpretations. They were also encouraged to adapt their authorial voice to the expectations of specific journals while maintaining a consistent scholarly identity.

Overall, the sessions provided participants with a deeper understanding of academic writing as a disciplined, rhetorical, and intellectual practice. They strengthened participants’ confidence in presenting their research voice, using hedging appropriately, and applying effective attribution strategies, thereby enhancing both the clarity and credibility of their academic work.



Day Two – Second Session | Day Three – Second Session

Session Title: Academic Writing and BAWE Corpus – I & II

Dates: 28 January 2026 – 29 January 2026

Mode: Online

Resource Person: Dr. Clement Ndoricimpa , eacher-Researcher and Lecturer at École Normale Supérieure du Burundi (Burundi Higher Institute of Education), East Africa.



The session conducted by Dr. Clement Ndoricimpa focused on guiding research scholars in writing research papers suitable for publication in Scopus- and Web of Science–indexed journals. The sessions were extensive, practically grounded, and addressed both the technical and ethical dimensions of academic publishing. Key areas covered included understanding indexed journals, structuring research papers, academic language use, ethical use of AI, plagiarism, and reference management.

Dr. Ndoricimpa began by explaining why Scopus and Web of Science–indexed journals matter. He described these databases as among the largest abstract and citation platforms, covering peer-reviewed journals and conference proceedings across disciplines. Since not all research publications achieve equal visibility or impact, publication in indexed journals ensures wider readership, higher academic recognition, stronger citation impact, improved funding opportunities, and career advancement. He emphasised that indexed journals follow strict quality standards, and researchers must understand and meet these expectations to succeed in publication.

The session then shifted to the structure of a high-quality research paper. Dr. Ndoricimpa explained that while disciplinary variations exist, most strong research articles follow the IMRD format—Introduction, Methodology, Results, and Discussion. Among these sections, he stressed that the Introduction is the most crucial, as it creates the first impression and often determines whether reviewers and readers continue reading.

He explained that an effective introduction follows a three-move structure.
  • Move One establishes the research territory by presenting the topic as important, relevant, or problematic, supported by a brief review of previous studies.
  • Move Two establishes the research niche by identifying gaps, limitations, unresolved debates, or unanswered questions in existing scholarship, explained through the contrast between known and unknown knowledge.
  • Move Three occupies the niche by clearly stating the aim, focus, or purpose of the present study. He shared commonly used academic phrases for each move and emphasised the importance of logical progression between them.

Throughout the sessions, Dr. Ndoricimpa repeatedly highlighted a major weakness in participant writing: lack of references. He stressed that statements such as “previous studies show” or “research indicates” must always be supported with citations. Without references, academic writing appears weak, unreliable, and unacceptable for indexed journals. He also advised participants to prioritise recent and relevant sources, noting that outdated references significantly reduce academic value.

Another key focus was academic language and vocabulary. Dr. Ndoricimpa explained that academic writing requires a formal tone, clarity, coherence, and precision. He demonstrated how logical connectors such as however, despite, although, and therefore help build argumentative flow. Participants were advised to avoid vague expressions and unsupported generalisations and instead use clear, discipline-appropriate language.

A separate segment addressed the ethical use of AI tools such as ChatGPT, Gemini, DeepSeek, and Perplexity. Dr. Ndoricimpa acknowledged differing views on AI, noting that some consider it harmful due to plagiarism and academic laziness, while others see it as useful for language improvement. He clarified that AI tools should be used only for revising grammar, structure, and coherence, and never for generating original academic content. Intellectual ownership, he stressed, must always remain with the researcher, and responsible use depends on correct prompting and critical judgment.

The sessions placed strong emphasis on plagiarism, which Dr. Ndoricimpa defined as presenting another person’s ideas, language, or work as one’s own. He described plagiarism as a serious violation of academic integrity and ethical responsibility. He clearly stated that Scopus- and Web of Science–indexed journals conduct plagiarism checks before peer review, and that high similarity scores lead to immediate rejection.

Finally, Dr. Ndoricimpa discussed the importance of accurate citation and reference management. He introduced Mendeley as an effective reference management tool and explained major citation styles such as APA, MLA, Chicago, and Vancouver. He demonstrated how Mendeley helps maintain consistency in citations and guided participants through downloading the software, independent registration, and adding references manually or through PDFs. He also stressed the importance of verifying imported bibliographic details to avoid errors.

Beyond technical instruction, the session carried personal academic significance. The speaker reflected on continuity in scholarly development, recalling first attending Dr. Ndoricimpa’s academic writing workshop as an undergraduate student in February 2019, where the focus was on objectivity, coherence, grammatical precision, and balanced argumentation. During postgraduate studies in 2020–21, the sessions shifted toward structuring arguments, situating research within scholarly debates, and handling theory with greater discipline. Encountering his guidance again at AWW 2026 was both affirming and instructive, reinforcing not only the technical demands of publishing in indexed journals but also the ethical responsibility underlying serious academic work.

The session concluded with comments on participant writing and appreciation for their active collaboration. Overall, the lecture provided comprehensive and practical guidance on writing publishable research papers, understanding journal expectations, avoiding plagiarism, using AI responsibly, and managing references effectively, significantly strengthening participants’ understanding of academic writing for indexed journal publication.


Day Three – First Session

Session Title: Detecting AI Hallucination and Using AI with Integrity

Date: 29 January 2026

Resource Person: Prof. (Dr.) Nigam Dave , Professor, School of Liberal Studies (SLS), Pandit Deendayal Energy University, Gandhinagar, Gujarat, India









The session titled “Detecting AI Hallucination and Using AI with Integrity” focused on understanding the risks, limits, and ethical use of Artificial Intelligence in academic and research practices. Prof. Nigam Dave addressed how AI operates, why it can be misleading in scholarly work, and how it can nevertheless be used responsibly and productively with proper human oversight.

The speaker began by establishing a personal and intellectual connection with the department, referring to it as his academic “home.” He emphasised that although Artificial Intelligence is a powerful tool, scholars must clearly recognise its limitations. Drawing on literary wisdom, he reminded the audience that it is “not enough that AI has said so,” stressing the classical scholarly principle of verification over blind acceptance. He noted that contemporary scholars, driven by speed, instant access, and convenience, often neglect reflection, patience, and careful verification.

Prof. Dave then traced the historical evolution of knowledge transmission, beginning with the Shruti and Smriti traditions, oral storytelling, and memorisation, followed by the age of print, libraries, cinema, television, and eventually the internet. He explained how earlier generations were shaped by physical libraries and slow, immersive reading practices, whereas present-day learners exist in an era of information abundance and shrinking attention spans. He highlighted how social media, quick-delivery platforms, and algorithm-driven digital systems have conditioned users to expect instant results, reducing depth, patience, and sustained critical engagement.

The session moved on to the contemporary academic and industrial context, discussing University 4.0 and Industry 5.0, where Artificial Intelligence, cyber systems, and physical systems interact simultaneously. Prof. Dave argued that the current era is best understood as Human–Cyber–Physical Systems (HCPS), in which humans must remain firmly “in the loop.” Technology, he stated, should support and enhance human thinking rather than replace it, just as calculators replaced manual arithmetic without destroying mathematical understanding. Ethical use of AI, therefore, is not optional but essential.

A central focus of the lecture was AI hallucination, which Prof. Dave defined as the generation of synthetic or fabricated information that appears statistically plausible but is factually unreliable. He explained that AI operates through probabilistic models that predict likely sequences of words rather than verify truth. As a result, AI often produces confident but fabricated responses, making it particularly dangerous for academic work, where authority and precision are crucial.

He warned that qualitative disciplines such as English studies are especially vulnerable to AI hallucination. Literary research relies heavily on interpretation, abstract theory, language-based argumentation, and non-empirical claims. AI easily imitates this style by generating fluent, sophisticated, and authoritative-sounding prose, which can mislead scholars into trusting inaccurate or entirely fabricated content. He compared such outputs to generic astrological predictions—statements that appear meaningful but apply broadly without factual grounding.

Prof. Dave identified several warning signs of AI hallucination, including vague formulations such as “scholars agree,” “studies show,” or “it is widely known,” when no verifiable references are provided. He discussed citation hallucination, where AI invents journal articles, fabricates publication details, misquotes scholars, or attributes ideas to authors who never expressed them. Drawing on his own research experience, he demonstrated instances where AI fabricated Sanskrit verses, historical references, literary examples, and song lyrics, acknowledging errors only when directly challenged.

Another major issue addressed was bias in AI systems. Prof. Dave explained that AI reproduces human bias because it is trained on human-generated data. He illustrated how AI reinforces gender, cultural, and historical biases, including portrayals of women as war trophies in epic narratives or probabilistic justifications of unethical actions. This, he argued, clearly demonstrates that AI is not neutral and must always be subjected to critical scrutiny.

Despite these risks, Prof. Dave strongly emphasised that AI cannot be avoided or rejected outright. Instead, it must be used ethically, strategically, and responsibly. He demonstrated several legitimate academic uses of AI, including proofreading manuscripts, formatting citations, testing the novelty and relevance of research ideas, identifying weaknesses before submission, preparing for viva-voce examinations, understanding journal submission procedures, verifying journal authenticity, identifying predatory or cloned journals, and confirming indexing details such as Scopus EID numbers. In these contexts, AI functions as an assistant rather than a substitute for scholarly thinking.

He cautioned that scholars should never use AI to generate core academic arguments, interpretations, or citations. Its appropriate role lies in handling technical, repetitive, and procedural tasks that save time while leaving intellectual responsibility with the researcher. The most important safeguard, he stressed, is human oversight; without it, AI becomes “a storyteller with no editor,” capable of producing persuasive narratives that may be entirely false.

The session concluded with the reminder that knowledge has always required judgment. Quoting Samuel Johnson, Prof. Dave reiterated that true knowledge lies not merely in possessing information, but in knowing where and how to verify it. The lecture ended with interactive feedback from participants, who acknowledged the session’s depth, practical illustrations, and its strong impact on their understanding of ethical and responsible AI use in academic writing.

Overall, the session offered a critical, balanced, and reflective perspective on Artificial Intelligence, urging scholars to combine technological awareness with intellectual responsibility, ethical judgment, and sustained human discernment.


Day Four & Day Five

Session Title: From Classroom to an Academic Career

Resource Person: Dr. Kalyani Vallath , CEO and Founder, Vallath Education, Thiruvananthapuram, Kerala

Dates: 30 January 2026 – 31 January 2026


















The sessions conducted by Dr. Kalyani Vallath over two days were among the most intensive, formative, and integrative components of the workshop programme. Bringing together academic writing, UGC NET preparation, literary understanding, and long-term academic career orientation, the sessions reflected a coherent pedagogical vision aimed at shaping both intellectual competence and academic mindset.

For the participant, the sessions carried deep personal and academic significance. Having first attended Dr. Vallath’s lecture in December 2019 as a postgraduate student, and later engaging with her online courses, handbooks, and encyclopaedic resources, encountering her again during this workshop felt like a continuation of long-term intellectual mentorship. This continuity reinforced not only technical academic skills but also a sustained approach to learning and self-development.

Dr. Vallath began by emphasising that education is not about filling a bucket, but about lighting a fire. Learning, she argued, must ignite curiosity, confidence, and self-belief, rather than merely accumulate information. This guiding idea framed the entire workshop and encouraged participants to take ownership of their intellectual growth and academic journeys.

A significant portion of the sessions focused on academic writing and academic mindset. Dr. Vallath challenged the belief that good writing is a natural talent, clarifying that writing is a skill developed through sustained practice, disciplined thinking, and strategic planning. She presented academic writing as a mode of reasoning that begins with questions, develops through illustration and interpretation, and matures through revision. Participants were encouraged to move away from a fixed mindset that fears imperfection and to adopt a growth mindset that allows writing to begin even with unclear or weak ideas. Writing, she stressed, improves only through the act of writing itself.

Several practical strategies were introduced, including free writing, reverse planning, mind mapping, and goal-setting, presented as concrete tools rather than abstract ideals. Reverse planning, in particular, involved starting from the final academic goal and working backward to identify relevant authors, theories, arguments, and materials. Artificial Intelligence was discussed as a supportive academic tool that can assist in creating outlines and identifying counter-arguments, but never as a substitute for original thinking or intellectual responsibility.

Equally impactful were the sessions devoted to UGC NET preparation. Dr. Vallath demystified the examination by explaining that it is not primarily memory-based. She clarified that only about 20% of the exam relies on factual recall, while the remaining portion tests logical reasoning, inference, analytical ability, and presence of mind. By analysing question patterns, distractor design, and option-based reasoning across Paper I and Paper II, she demonstrated that the exam evaluates conceptual clarity and calm decision-making rather than rote memorisation.

Participants were trained to identify and eliminate distractors, which are deliberately designed to confuse candidates. Dr. Vallath encouraged students to remain calm and logical, showing that even complex-looking questions can be solved through intelligent inference. She also advised students to “think like a teacher” while answering, selecting the most conceptually sound and pedagogically appropriate option rather than the most complicated one.

Another major component of the sessions was a conceptual map of English literature, literary criticism, and theory. Dr. Vallath traced the development of English literature from the Old English Period, marked by runic scripts and epic traditions such as Beowulf, through the Middle English Period, and into the Renaissance, which she described as a rebirth inspired by Greek and Roman classical writers. She further discussed the expansion of English literature beyond Britain to regions such as the USA, Canada, Australia, and eventually to the global framework of World Literature.

Alongside literary history, the sessions introduced key traditions of literary criticism, beginning with Plato and Aristotle and moving toward modern critics such as T. S. Eliot and I. A. Richards. Major literary theories were also explained, including Structuralism with its focus on signs and binary oppositions, Poststructuralism and Derrida’s concept of deconstruction, Feminism across its three waves, and Postcolonialism, including ideas such as mimicry, hybridity, and “the empire writes back.”

The sessions also addressed career planning and personal development in academia. Dr. Vallath highlighted the importance of becoming an effective manager of time, resources, and knowledge. She encouraged participants to consciously build a strong academic portfolio and to cultivate their own authentic writing voices, rather than imitating artificially complex or excessively sophisticated styles. A key psychological concept discussed was the Zone of Proximal Development, which encourages learners to work slightly beyond their comfort zones to ensure continuous intellectual growth.

The workshop concluded with the reflection that true academic learning is transformative, enlightening both the heart and the mind. Dr. Vallath’s sessions equipped participants not only with practical strategies for writing, examinations, and theoretical understanding, but also with the confidence, clarity, and self-belief necessary to pursue a meaningful academic career. Overall, the sessions proved to be engaging, motivating, and intellectually enriching, offering lasting value to students and research scholars alike.

Day Six

Session Title: Multimodal E-Content for a Digital Resource Hub

Resource Person: Dr. Dilip Barad Professor & Head Department of English Maharaja Krishnakumarsinhji Bhavnagar University Bhavnagar, Gujarat, India

Dates: 1 February 2026







The session focused on rethinking academic pedagogy in the context of the National Education Policy (NEP) 2020, with particular emphasis on adult learners, digital resource creation, and the responsible integration of Artificial Intelligence. The speaker highlighted the three phases of the week-long workshop: academic writing, career-oriented learning and NET preparation, and finally, hands-on content creation for undergraduate students.

A central argument of the session was that pedagogy must guide technology, not the other way around. Drawing distinctions between pedagogy (children), andragogy (adult learners), and heutagogy (self-directed learning), the speaker stressed learner autonomy, maturity, and discovery-based education. The need for a Digital Resource Hub was justified as a response to changing learner priorities, absenteeism, skill-based education, and the realities of AI-driven knowledge systems.

The session demonstrated how AI tools—especially NotebookLM—can be used ethically to create structured, source-grounded, multimodal content, including text material, audio podcasts, videos, infographics, mind maps, assessments, and discussion prompts. Unlike generic AI tools, NotebookLM was presented as pedagogically reliable because it works strictly within uploaded sources and enables easy verification.

A key innovation discussed was the addition of a “Fifth Quadrant” to the existing four-quadrant SWAYAM model. This quadrant integrates AI-based activities and prompts that promote critical thinking, debate, self-assessment, and learner interaction rather than passive consumption or cheating. Students were positioned as co-content creators, contributing blogs, videos, and infographics, thereby developing real-world digital and academic skills.

The session concluded by emphasising that AI is neither the death of education nor a replacement for human intelligence. Instead, when used with integrity and strong pedagogical intent, it can support personalised learning, preserve critical thinking, and prepare students for future academic and professional challenges.

Photographic evidence of my attendance at all sessions conducted during the programme



I would like to express my sincere gratitude to all those who worked tirelessly to make this event successful. I extend my heartfelt thanks to Prof. (Dr.) Dilip Barad, Head of the Department of English and Workshop Convenor, for his visionary leadership, academic guidance, and meticulous planning. I am equally grateful to the Co-convenors, Ms. Megha Trivedi and Ms. Prakruti Bhatt, PhD Scholars and Visiting Teachers in the Department of English, for their dedicated coordination, constant support, and committed efforts throughout the organisation of the workshop. I also sincerely acknowledge the Promotion of Higher Education Knowledge Consortium (KCG), Government of Gujarat, for its support and patronage, which made the organisation of this academic programme possible. I further appreciate the invaluable support extended by the students of the Department of English, whose cooperation and enthusiasm contributed significantly to the smooth conduct and overall success of the event.

Saturday, January 31, 2026

The Joys of Motherhood by Buchi Emecheta

This blog is a part of a thinking activity given by Megha Trivedi Ma'am from The English Department, MKBU, Bhavnagar.

Buchi Emecheta


  • Buchi Emecheta’s full name was Florence Onyebuchi Emecheta, and she was born on 21 July 1944 in Yaba near Lagos, Nigeria to Igbo parents.
  • She died on 25 January 2017 in London, England at the age of 72 after suffering a stroke.
  • Emecheta was a novelist, playwright, autobiographer, and children’s writer whose works explore the challenges faced by women in both African and immigrant contexts.
  • She moved to London, England in 1962 after marrying Sylvester Onwordi and later became a single mother of five, supporting her family while pursuing her writing and education.
  • Emecheta earned a degree in Sociology from the University of London, which helped shape her insightful portrayals of social inequality and identity.
  • Her first novel, In the Ditch (1972), and early works like Second-Class Citizen (1974) were based on her own experiences as an African woman in Britain.
  • She wrote over 20 books tackling themes such as motherhood, female subjugation, cultural conflict, and independence through education.
  • Emecheta’s novels often highlight the tension between tradition and modernity, especially for women in postcolonial societies.
  • Her most famous work, The Joys of Motherhood (1979), critically examines the social expectations and harsh realities of motherhood in colonial Nigeria.
  • She received significant recognition, including the Jock Campbell Prize for The Slave Girl and was made an Officer of the Order of the British Empire (OBE) in 2005 for her contributions to literature.

The Joys of Motherhood


Aspect

Details

Title

The Joys of Motherhood

Author

Buchi Emecheta

Publication Year

1979 (first published), later editions in Heinemann’s African Writers Series

Publisher

Allison & Busby (London), later Heinemann (African Writers Series)

Genre

Historical/social fiction; Bildungsroman

Language

English

Setting

Rural Nigeria (Ibuza) and urban Lagos during colonial/post-colonial era

Protagonist

Nnu Ego – the central character whose life and identity revolve around motherhood

Plot Overview

Follows Nnu Ego from her childhood village through two marriages and the hardships of raising children in a changing society; despite fulfilling traditional expectations, she dies lonely and unfulfilled.

Major Characters

Nnu Ego, Nnaife (second husband), Ngozi (deceased son), Oshia & Adim (sons), Taiwo & Kehinde (daughters), other extended family members

Main Themes

Motherhood & Patriarchy: “Joy” is ironic — motherhood brings hardship and suffering rather than fulfilment for Nnu Ego.

Colonialism & Change

Colonial influence disrupts traditional values, introducing capitalism, Western education, and employment challenges that strain family life.

Women’s Identity

A woman’s identity is defined by fertility and children; failure to produce sons leads to shame and hardship.

Irony of Title

“The Joys of Motherhood” criticizes the romanticized idea that motherhood equals fulfilment, showing suffering instead.

Cultural Critique

Challenges traditional Ibo expectations of women and highlights how cultural norms and patriarchy marginalize women.

Colonial & Patriarchal Double Burden

Nnu Ego’s life shows how both native patriarchy and colonial capitalism restrict women’s freedom and well-being.

Symbolism

Children represent both hope and anxiety; success of children brings more burdens than support for Nnu Ego in her old age.

Significance

The novel is a classic of African literature, used in post-colonial, feminist, and gender studies to critique social norms.







Q. 1)  If Nnu Ego were living in 21st-century urban India or Africa, how would her understanding of motherhood, identity, and success change?




Buchi Emecheta’s The Joys of Motherhood presents Nnu Ego as a tragic figure whose life is structured almost entirely by patriarchal definitions of womanhood, motherhood, and social worth within colonial and postcolonial Nigeria. Her suffering emerges not from personal failure but from a cultural system that equates a woman’s value with reproductive success and maternal sacrifice. Relocating Nnu Ego to a 21st-century urban context—whether in contemporary India or Africa—invites a critical re-examination of how motherhood, identity, and success would be understood under conditions of neoliberal capitalism, urban precarity, and reconfigured patriarchy. While surface conditions of modernity may appear to offer liberation, Emecheta’s narrative suggests that Nnu Ego’s tragedy would not disappear; rather, it would be reshaped into new, less visible forms of gendered exploitation and emotional dispossession.

Motherhood: From Sacred Duty to Negotiated Labour

In The Joys of Motherhood, motherhood is constructed as a woman’s primary and often sole pathway to social recognition. Nnu Ego’s despair following infertility and child loss is rooted in a cultural logic that renders her a “failed woman” when she cannot reproduce (Emecheta, ch. 5). Even when she becomes a mother, her labour is totalizing—economic, emotional, and physical—yet remains socially invisible. The novel repeatedly emphasizes that “the joy of being a mother was the joy of giving all to your children,” a maxim that ultimately consumes Nnu Ego’s life without reciprocal care (Emecheta, p. 224).

In a 21st-century urban Indian or African setting, motherhood would no longer be exclusively defined as biological destiny, but it would still function as an intensive, gendered form of labour. Urban mothers are expected to combine caregiving with wage labour, informal work, and emotional management—roles Nnu Ego already performs through petty trading and domestic sacrifice in colonial Lagos (Emecheta, ch. 4). Modernity does not erase maternal burden; it redistributes it under the language of “choice” and “responsibility.” Nnu Ego’s maternal labour would likely become more economically productive yet emotionally fragmented, as success would be measured by children’s academic mobility rather than communal survival. Her identity as the “mother of clever children” already anticipates this logic (Emecheta, ch. 16).

Identity: From Communal Validation to Isolated Selfhood

Nnu Ego’s sense of identity in the novel is almost entirely externally produced. Her worth is affirmed or denied by husbands, children, and community elders. Even moments of agency—such as engaging in petty trade—are framed as extensions of maternal duty rather than personal ambition (Emecheta, ch. 8). The novel underscores that Nnu Ego “had never really made many friends, so busy had she been building up her joys as a mother” (Emecheta, p. 224). Her identity collapses once her children leave, revealing the fragility of a self constructed solely through relational roles.

In a contemporary urban context, Nnu Ego might encounter narratives of individual selfhood and female autonomy, yet these would not necessarily translate into lived empowerment. Urban life often intensifies isolation, especially for working-class women whose labour sustains families without generating personal recognition. While modern discourse encourages women to “find themselves,” structural constraints—economic precarity, unpaid care work, and persistent patriarchal expectations—would likely limit Nnu Ego’s capacity to claim an autonomous identity. Her emotional breakdown following her children’s migration already mirrors modern forms of maternal abandonment, where success is spatially and emotionally distanced from caregiving (Emecheta, ch. 17).

Success: From Children-Centred Worth to Neoliberal Achievement

In Emecheta’s narrative, success is measured almost entirely through children: their survival, education, and eventual ability to provide material recognition, symbolized by Nnu Ego’s elaborate funeral (Emecheta, p. 224). Ironically, this success arrives only after her death, exposing the hollowness of a system that defers maternal reward indefinitely. Her sons’ global mobility—education abroad and economic independence—does not translate into emotional reciprocity or care.

In the 21st century, success would likely be reframed through economic productivity and professional achievement. Yet for someone like Nnu Ego, whose life is shaped by reproductive and domestic labour, such metrics would remain largely inaccessible. Neoliberal capitalism valorizes independence while relying on invisible care work, reproducing gendered inequalities under the guise of progress. Nnu Ego’s tragedy—dying alone despite fulfilling every social expectation—would persist in altered form, as maternal sacrifice would be normalized but unsupported.




Conclusion: Resolution or Reconfiguration?

Relocating Nnu Ego to a 21st-century urban India or Africa would not resolve her tragedy; it would reconfigure it. While contemporary contexts offer expanded vocabularies of choice, autonomy, and success, they continue to rely on women’s unpaid emotional and reproductive labour. Emecheta’s novel already anticipates this transformation, portraying a woman whose sacrifices fuel social mobility yet leave her personally depleted. Nnu Ego’s life demonstrates that modernity does not dismantle patriarchy—it refines it. Her suffering, whether in colonial Lagos or a globalized city, exposes the enduring cost of defining women’s worth through care without care in return. As The Joys of Motherhood ultimately suggests, the tragedy lies not in tradition alone, but in systems—old and new—that demand everything from women while promising fulfillment that never arrives.

Q.2)  Buchi Emecheta presents motherhood as both fulfilment and burden. Do you think the novel ultimately celebrates motherhood or questions it?



Buchi Emecheta’s The Joys of Motherhood (1979) is set against the backdrop of colonial and early postcolonial Nigeria, a period marked by rapid urbanisation, economic instability, and the collision of indigenous patriarchal traditions with colonial capitalist structures. Through the life of Nnu Ego, Emecheta examines motherhood as the central organising principle of female identity within Igbo society. Far from offering a sentimental celebration of maternal joy, the novel interrogates the social, emotional, and economic costs exacted from women in the name of motherhood. Emecheta’s central concern is not whether motherhood brings fulfilment—since it undeniably does—but whether that fulfilment justifies the profound sacrifices demanded of women under patriarchy and colonial modernity. Ultimately, The Joys of Motherhood does not simply celebrate motherhood; it fundamentally questions and critiques it by exposing its contradictions and systemic injustices.

Motherhood as Fulfilment: Social Validation and Female Identity

Within the socio-cultural framework of the novel, motherhood functions as the primary source of social legitimacy for women. Nnu Ego’s early anguish over infertility illustrates the extent to which a woman’s worth is measured by her reproductive capacity. When she fails to conceive in her first marriage, she is cast off as a “failed woman,” internalising the belief that “without a child, she was nothing” (Emecheta, p. 56). Motherhood, therefore, is not merely a personal desire but a cultural obligation tied to honour, survival, and recognition.

Once Nnu Ego becomes a mother, she gains social validation and a sense of purpose. The birth of her sons secures her position within her husband’s household and restores her dignity within the community. Emecheta repeatedly shows that motherhood offers emotional fulfilment through continuity and belonging: children are viewed as extensions of the self and as guarantees of future security. Nnu Ego believes that by raising successful children, she is “investing” in her own old age (Emecheta, p. 101). This logic reflects a communal worldview in which motherhood ensures lineage, memory, and survival beyond the individual woman’s lifespan.

Motherhood also provides Nnu Ego with a coherent identity. In a world that offers women few alternative avenues for self-definition, being a mother allows her to endure hardship with moral purpose. Even her pride in being a “mother of clever children” signals a form of fulfilment rooted in maternal achievement (Emecheta, p. 188). These moments might suggest celebration, but Emecheta carefully frames them as culturally conditioned satisfactions rather than freely chosen joys.

Motherhood as Burden: Economic Hardship and Emotional Exhaustion

Running parallel to motherhood’s promise of fulfilment is its reality as an overwhelming burden. Emecheta exposes how motherhood under colonial capitalism becomes a site of exploitation, particularly for working-class women like Nnu Ego. The economic demands of raising many children in urban Lagos push her into relentless labour—petty trading, domestic work, and constant emotional caregiving—without security or recognition (Emecheta, pp. 82–101).

Crucially, motherhood does not shield Nnu Ego from poverty; it intensifies it. Each additional child increases her vulnerability rather than her power. Her body becomes a site of continuous sacrifice, marked by exhaustion, repeated childbirth, and emotional depletion. Emecheta dismantles the romantic ideal of maternal selflessness by showing how it is sustained by patriarchal expectations that normalise female suffering. Nnu Ego is expected to endure because “a woman’s pride is her children,” even when that pride costs her health and autonomy (Emecheta, p. 63).

Emotionally, motherhood isolates Nnu Ego. She invests all her affection, hope, and identity in her children, leaving no space for personal fulfilment beyond them. When her sons migrate abroad and her daughters marry into other families, Nnu Ego is left desolate. Her death—alone by the roadside, “with no child to hold her hand” (Emecheta, p. 224)—is the novel’s most devastating indictment of the maternal ideal. The promised reward of motherhood is endlessly deferred.

Individual Desire versus Communal Definitions of Womanhood

A central tension in the novel lies between Nnu Ego’s individual emotional needs and the communal definition of womanhood imposed upon her. While she occasionally yearns for rest, companionship, or recognition beyond motherhood, such desires are systematically suppressed. The community values her not as a person but as a function—mother, bearer, nurturer.

Emecheta underscores this tension through irony. Nnu Ego’s funeral is described as the grandest Ibuza has ever seen, a public affirmation that she “had it all” (Emecheta, p. 224). Yet this posthumous celebration cruelly contrasts with her lived experience of neglect and loneliness. The community’s insistence that she should be satisfied exposes the ideological violence of communal norms that prioritise symbolic honour over lived well-being.

Importantly, Emecheta does not reject motherhood outright. Instead, she critiques the structures that deny women the ability to experience motherhood without erasure. Nnu Ego’s tragedy lies not in loving her children, but in being denied any identity beyond that love.

Conclusion: Strategic Ambivalence, Not Celebration

The Joys of Motherhood ultimately does not celebrate motherhood in a conventional sense. Nor does it simply condemn it. Rather, Emecheta strategically exposes motherhood as an ambivalent institution—capable of emotional fulfilment yet structurally designed to exhaust and erase women. By tracing Nnu Ego’s life from hopeful young bride to forgotten mother, the novel dismantles the myth that maternal sacrifice is inherently rewarding.

The title itself is deeply ironic. The “joys” of motherhood exist largely as cultural rhetoric, sustained by patriarchy and communal expectation rather than by women’s lived realities. Through Nnu Ego’s unacknowledged suffering and lonely death, Emecheta fundamentally questions whether motherhood, as socially organised under colonialism and patriarchy, truly serves women at all. The novel’s power lies in this refusal of easy answers: motherhood is neither wholly celebrated nor entirely rejected, but exposed as a site of profound contradiction—where love and loss, pride and pain, fulfilment and exploitation coexist uneasily.

Q. 3) How is motherhood portrayed in a film/TV serial/advertisement/web series (Add two to three examples), and how is it similar to or different from Nnu Ego’s experience in ?


Motherhood is a socially and culturally constructed concept that operates not only within literature but across diverse visual media. In texts and screens alike, maternal roles are shaped by ideological expectations, economic structures, and gender norms that reflect broader socio-political power relations. Buchi Emecheta’s The Joys of Motherhood (1979) situates motherhood within colonial and postcolonial Nigeria, where a woman’s identity and social worth are tightly bound to her reproductive success and persistent maternal labour. Emecheta’s portrayal critiques how patriarchy and economic precarity render maternal fulfilment inseparable from burden: motherhood is honoured as indispensable yet achieved at profound personal cost. Comparing this literary experience with contemporary representations in films, web series, and advertisements illuminates both continuities and distinctions in how maternal roles are idealised or problematised under different cultural conditions.

Mothers in Indian Cinema: Filmmaking and Maternal Ideology

Indian cinema has long depicted motherhood as central to a woman’s identity, often celebrating self-sacrifice, emotional labour, and nurturance. Historically, mainstream Bollywood films have presented mothers as emotionally resilient and selfless figures whose primary role is to sustain the family through moral strength (Jhamtani 2016; as in Deewaar, Karan Arjun, Kabhi Khushi Kabhie Gham). Recent cultural commentary highlights how this archetype persists, with mothers portrayed as anchors of affection and endurance, shaping family narratives and foregrounding maternal love as a core value (Times of India, 2025) .

In the 2017 Hindi thriller Mom, the central character Devki engages in extreme measures to protect and avenge her stepdaughter after sexual violence. Scholarly analysis of Mom underscores that motherhood in the film is depicted through intense maternal devotion and aggressive protection, demonstrating a mother’s emotional investment that transcends biological ties while also mobilising violence to secure justice for her child (Fitria 2025) . This representation emphasises the emotional fulfilment and moral agency associated with motherhood but also reveals the pressure on mothers to shoulder violence and trauma on behalf of their children.

A contrasting recent Indian example is the short film Natkhat (2020), which focuses on a mother teaching her young son about gender equality. The narrative frames motherhood not only as care and protection but as a site of social pedagogy, challenging patriarchal norms by foregrounding maternal agency in transforming gendered behaviour within the domestic domain (Wikipedia Natkhat) . Here motherhood intersects with feminist critique: it problematises traditional gender hierarchies by positioning the mother as an agent of change rather than merely a figure of sacrifice.

Western and Global Cinematic Representations

In global popular film, motherhood is often portrayed with narrative tension between emotional fulfilment and societal expectations. Films like Bad Moms (explored in cultural analysis) deliberately challenge conventional ideals of maternal self-sacrifice by showcasing mothers rejecting normative constraints of domesticity and “good” motherhood roles (Rahayu et al. 2019) . These representations reflect a growing discourse in contemporary media that questions maternal ideals, emphasising individual desire, agency, and the complexity of maternal identity rather than pure altruistic duty.

While these depictions occur in different cultural contexts, they share thematic concerns: motherhood is represented as deeply meaningful yet fraught with emotional labour, social pressure, and negotiation between personal identity and reproductive roles.

Comparing Media Mothers with Nnu Ego’s Experience

Emecheta’s The Joys of Motherhood portrays Nnu Ego’s maternal life within colonial Igbo society as a complex interplay of fulfilment and sacrifice. Nnu Ego’s identity is almost entirely defined by motherhood; her social recognition, economic efforts, and emotional self are inseparable from her maternal role (Emecheta, chs. 4–10). The novel exposes how patriarchy and economic precariousness position maternal labour as expected yet unrewarded: she works tirelessly for her children, enduring hardship and emotional exhaustion, only to be neglected in her old age (Emecheta, pp. 188, 224).

Contemporary cinematic representations reflect similar tensions between emotional fulfilment and social constraint. Indian films often valorise the mother’s devotion, casting maternal figures as moral centres of the family. However, unlike Nnu Ego—whose labour lacks autonomy and is embedded in structural poverty—cinematic mothers such as Devki in Mom or the protagonists of Natkhat retain narrative agency, shaping events actively around their children or social messages. Still, patriarchal expectations persist; in Mom, Devki’s fight is necessitated by a violent social context that fails to protect children, placing the burden of justice on the mother rather than institutions—a dynamic that resonates with Nnu Ego’s burden of care in the absence of social support.

Moreover, advertisements and commercial media often idealise maternal roles, reinforcing myths of maternal perfection and domestic nurturance. Historical analyses of Indian television commercials show how media codes emphasise domesticity and the selfless mother figure, perpetuating hegemonic norms that link womanhood to caregiving roles (Roy 1998) . This idealisation parallels the cultural rhetoric of motherhood in Emecheta’s narrative: motherhood is socially celebrated, yet the material conditions of maternal life remain unexamined.

At the same time, some contemporary media narratives diversify motherhood by depicting single mothers, stepmothers, or maternal figures operating beyond traditional frameworks. Such portrayals sometimes emphasise personal fulfilment, individual desires, and gender role negotiation, which differ from the more rigid expectations placed on Nnu Ego. Films like Bad Moms highlight maternal frustrations with domestic burdens and celebrate autonomy, challenging traditional maternal expectations even as they reveal the ongoing emotional labour associated with motherhood (Rahayu et al. 2019) .

Conclusion: Continuities and Transformations in Maternal Representation

In both visual media and The Joys of Motherhood, motherhood remains a site of ambivalence, shaped by cultural norms and ideological pressures. Contemporary films and web texts both reinforce and problematise maternal roles: many uphold romanticised ideals of selflessness, while others critique the constraints imposed by patriarchy and demand agency for maternal characters. This constellation reflects an evolving but persistent maternal ideology where emotional fulfilment coexists with burden, sacrifice, and structural expectation.

Compared with Nnu Ego’s experience—where motherhood is socially necessary yet materially unrewarded—media representations today often grant mothers greater narrative agency and complexity. However, persistent themes of emotional labour, societal expectation, and gendered sacrifice reveal that contemporary portrayals do not fully transcend patriarchal constraints; they instead repackage them in aesthetically varied forms. Thus, while visual media may offer broader interpretations of motherhood, the fundamental struggle between identity, agency, and social worth that Emecheta critiques continues to resonate in contemporary maternal narratives.

References : 

Emecheta, Buchi. The Joys of Motherhood. George Braziller, 1979.  Internet Archive,https://archive.org/details/joysofmotherhood00emec

Fitria, Rika. “The Representation of Motherly Love in the Main Character in the Indian Thriller Film Mom (2017).” ResearchGate, 2025.https://www.researchgate.net/publication/396916315_The_Representation_of_Motherly_Love_in_the_Main_Character_in_the_Indian_Thriller_Film_Mom_2017

Mom. Directed by Ravi Udyawar, performances by Sridevi, Nawazuddin Siddiqui, and Akshaye Khanna, Boney Kapoor Productions, 2017.

Natkhat. Directed by Shaan Vyas, performance by Vidya Balan, 2020.

Rahayu, Siti Nur, et al. “Challenging the Ideal of Motherhood in Contemporary Cinema: A Study of Bad Moms.” Scribd, 2019. https://www.scribd.com/document/689691590/125950167

Roy, Ananya. “Images of Domesticity and Motherhood in Indian Television Commercials: A Critical Study.” ResearchGate, 1998. https://www.researchgate.net/publication/228023532_Images_of_Domesticity_and_Motherhood_in_Indian_Television_Commercials_A_Critical_Study

“Mothers Who Shaped Bollywood Movies with Silent Strength and Selfless Love.” The Times of India, 2025. https://timesofindia.indiatimes.com/entertainment/hindi/bollywood/news/mothers-who-shaped-bollywood-movies-with-silent-strength-and-selfless-love/photostory/122410279.cms